![]() ![]() It appears here in full as context for the related ripostes published on ebr. ![]() This essay was first published by The MIT Press in 2009 in the collection Third Person: Authoring and Exploring Vast Narratives, edited by Pat Harrigan and Noah Wardrip-Fruin. This is but one example of the existence of an "internal constriction" that "pushes against some of the conventions of television serials by denying the very principle of expansiveness, of stretching out, inherently endorsed by a narrative that cannot be contained, whose sum exceeds our capacity to remember it." O'Sullivan argues that Deadwood often resists seriality's dictates and conventions by adhering to, amongst other structures, Aristotlelian dramatic principles that are by nature at odds with seriality's essence. Sean O'Sullivan explores numerous aspects of narrative and seriality in his examination of the HBO series Deadwood, created by David Milch.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |